Pour yourself a latté and open your notebook. Today, we are looking at a storytelling principle as essential as a well-arranged corkboard: Chekhov’s Gun.
What is Chekhov’s Gun?
If you’ve ever come across this term and asked yourself, “What is Chekhov’s Gun?”, you’re in the right place. Chekhov’s Gun means that every element in your story should serve a purpose. Imagine your manuscript as a carefully prepared desk. Every item is there for a reason, not as decoration.
Anton Chekhov, the Russian playwright and short story writer, expressed it clearly: “If in the first act you have hung a pistol on the wall, then in the following one it should be fired.” If a detail has no later function, it does not belong in the work. The principle asks writers to be intentional and respectful of the reader’s attention.
Where did Chekhov’s Gun come from?
The idea comes from Chekhov’s own letters to other writers. He believed unnecessary details were distractions. To him, clutter weakens a story in the same way that scattered notes obscure a clear outline.
Why is it called Chekhov’s Gun?
Chekhov disliked the presence of a gun on stage that never fired. For him, readers and audiences trust writers to present details with purpose. That trust becomes a silent agreement between creator and reader: if something appears, it may influence the outcome.
Chekhov’s Gun Examples
Writers use this technique in many forms. A few simple cases include:
- A diary mentioned in the opening chapters that later contains a crucial revelation.
- A broken locket that reveals a hidden family truth in a romance.
- A phrase of dialogue that returns at a decisive moment.
Good stories create satisfaction by allowing small details to echo later events.
Example: In Harry Potter and the Sorcerer’s Stone, Harry receives an Invisibility Cloak. At first, it is a curious gift, but later it allows him to slip past obstacles. That cloak is a classic Chekhov’s Gun.
Chekhov’s Gun Examples in Movies
Film writers use this principle frequently because every word and image on screen must carry weight. Here are some strong Chekhov’s Gun examples in movies (spoiler alert!):
- Back to the Future – Early in the film we learn the DeLorean requires 1.21 gigawatts of power. That detail later drives the climax.
- The Shawshank Redemption – Andy requests a small rock hammer. It seems harmless, but it becomes central to his escape.
- Jaws – The barrels fixed to the shark foreshadow the way it will later be tracked and defeated.
In screenwriting, where every minute is counted, unused details stand out.
How Chekhov’s Gun Works in Storytelling
Chekhov’s Gun works like arranging notes on Scrivener’s corkboard. Each card needs a reason to be there. When a detail is introduced, it signals a promise. Delivering on that promise builds trust with the reader.
Tip for writers: ask yourself, If I cut this element, would the story change? If not, either remove it or strengthen its role.
Does Chekhov’s Gun Have to Be a Gun?
The “gun” can be many things. A letter, a nervous gesture, a storm building on the horizon. It might even be a character trait that at first seems minor but later becomes vital. What matters is that the element planted early finds use later.
Chekhov’s Gun and Foreshadowing
The two are related but not identical. Foreshadowing is a signal that something will happen, such as “There is a storm coming.” Chekhov’s Gun ensures that an introduced element does matter later, such as the storm cutting the power at a crucial point.
All Chekhov’s Guns are foreshadowing, but not all foreshadowing qualifies as Chekhov’s Gun.
MacGuffins, Red Herrings, and Chekhov’s Gun
These three devices serve different purposes:
- Chekhov’s Gun – An element planted early that pays off later. Example: Harry’s Invisibility Cloak.
- MacGuffin – An object that drives the plot without needing deeper meaning. Example: the briefcase in Pulp Fiction.
- Red Herring – A detail designed to mislead. Example: a suspect in a crime that distracts investigators.
Chekhov’s Gun is about payoff, MacGuffins about motivation, Red Herrings about misdirection.
Exceptions and Criticisms
Not every detail needs to serve a later purpose. Some elements create atmosphere or realism – for example, a crowded café scene in literature may use background noise for tone rather than plot. The challenge lies in balance. Too many unused details weaken clarity, while overuse of the principle can make a story feel mechanical.
Famous Examples in Film and Literature
Some notable appearances of Chekhov’s Gun include:
- The firearm in Chekhov’s The Seagull.
- The poisoned wine in Shakespeare’s Hamlet.
- The “Lily of the Valley” plant in Breaking Bad.
- The necklace in Daphne du Maurier’s Rebecca.
Best Practices for Writers
Here are practical ways to apply the principle:
- Introduce elements naturally, without highlighting them too strongly.
- Review drafts critically to confirm that each planted element matters.
- Keep focus by limiting introduced objects or clues to those that serve the story.
- Respect the reader’s attention by rewarding it with meaningful payoffs.
Make Every Detail Count with Scrivener
Chekhov’s Gun is not a rigid rule but a reminder to write with precision. It invites writers to think carefully about every detail they introduce. By planting elements with purpose and resolving them later, you create stories that feel deliberate and satisfying.
When using novel writing software like Scrivener to structure your ideas, the principle holds true: it’s easy to keep track of these details that serve the whole.
Open your draft, and start shaping a story that rewards you and your readers.
Gabriel Gaynor-Guthrie is a freelance writer and editor.